Ultima IX: Ascension
|Ultima IX: Ascension|
|Ultima IX Engine|
|Richard Garriott, Seth Mendelsohn, Brian Martin and John Zuur Platten|
|North American Release Date(s)|
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Following the Avatar's escape from Pagan, he is transported back to Britannia for one final battle with the Guardian, who is increasingly ruining the physical and moral fabric of that land. He must restore the Runes of Virtue, cleanse the shrines of the Guardian's taint, and restore the people to the way of the Virtues - now knowing that he will never again be able to return to Earth.
Gameplay[edit | edit source]
A difference from previous Ultimas is that in Ultima IX the player has less control of what path to take in the game. Most areas of Britannia are blocked off until specific tasks are completed, reducing the amount of initial exploration available to the player.
The game world is rendered in a detailed and seamless manner, but Britannia is much smaller in overall area than previous games. For example, Britain, the largest city of Britannia, consists of only a few buildings.
Combat is vastly different than previous Ultimas (save perhaps Ultima VIII). Fighting consists of simply clicking the mouse buttons as fast as possible, with little strategy involved.
Plot[edit | edit source]
In the beginning of Ultima IX, the Avatar had somehow returned to Earth for an unspecified amount of time before getting back to Britannia. The game starts just after the end of Ultima VIII, in which the Avatar is transported to a Guardian-controlled Britannia. He arrives in Britannia on a mountain overlooking the Guardian's keep in Terfin. The Avatar is transported to Stonegate by Hawkwind the Seer (from Ultima IV), who informs him that great columns have appeared throughout the land, and their malignant influence has caused plagues, famine, and other natural disasters. Under their power, the people of Britannia have twisted the Virtues into mockeries of their true meaning. The Guardian is helped by Lord Blackthorn, who leads the Wyrmguards and forces the people to obey the Guardian.
As the quest progresses, the Avatar learns that the Guardian has stolen the Runes of the Virtues and twisted them into the glyphs that form the heart of each of the columns. Most of the game consists of travelling through the dungeons to recover the glyphs and visiting the Shrines of the Virtues to meditate and cleanse them. Eventually, it is revealed that the Guardian is nothing other than the dark half of the Avatar himself, and the only way to save Britannia is for the Avatar to ascend to a higher plane, taking the Guardian with him. The player is able to accomplish this via an Armageddon spell cast behind a Barrier of Life, which takes the Avatar and the Guardian to a higher plane out of Britannia.
Original plot[edit | edit source]
Origin Systems released a number of preview video clips in the five years between the original release of Ultima VIII and the final release of Ultima IX in December 1999, first in the Ultima Collection and intermittently in between. These screenshots and clips pointed to a totally different plot from the released version, which many longtime fans of the Ultima saga agreed was unsatisfying and unrewarding.
On December 9, 1999, a synopsis of the original script was posted to the "Ultima Horizons" discussion board. The synopsis was written by Bob White and released with his permission. White worked directly with Garriott, John Watson, and Brian Martin in developing the game's original story before leaving Origin.
The beginning of the game is more or less the same as the beginning of the actual Ultima IX release, except that the Avatar never actually returns to Earth after his sojourn in Pagan in Ultima VIII. Just as in the official plot, there are also columns created by the Guardian with malignant influence. Further, Lord British has become enfeebled and left government of the kingdom in the hands of a tribunal consisting of the lords of the cities of Moonglow, Britain, and Jhelom, but they have proved unable to deal with the crises and have fractured into mutually distrustful city-states that are, at the time the Avatar arrives, at the brink of war.
The Guardian is behind all of this, orchestrating these events with the aid of Lord Blackthorn, but few within the kingdom suspect this. Among those suspicious is Samhayne, a benevolent smuggler of contraband and food supplies to the various cities. He enlists the aid of the Avatar to find proof of these shadowy manipulations that are causing Britannia to disintegrate. With the help of his longtime friends Shamino and Iolo and Samhayne's protégé Raven, they uncover that Lord Blackthorn is secretly advising members of the council and goading them to war. Blackthorn is unmasked just as the armies of the council have taken the field of battle. He is eventually caught later on at Terfin, and executed at Lord British's command, but the Guardian escapes.
The Avatar and Lord British then travel to Stonegate for the final confrontation with the Guardian, but after it appears that they had successfully killed him, they are told that it is not enough. The columns that the Guardian created have embedded themselves too deeply within the very fabric of Britannia itself, and soon they will destroy the world, funnelling the power of its destruction back into the Guardian, resurrecting him and making him even stronger. The only way to destroy the Guardian is to extinguish the life force of Britannia itself, but the people may be saved by evacuating them to the island of Skara Brae and using the power of the Runes of Virtue to protect them. The Ritual of Armageddon is cast, Britannia is destroyed, along with the Guardian and Lord British, but the Avatar ascends to a higher plane by the power of the spell. The people that were evacuated to Skara Brae are protected by the Runes and they live on, to find another world to call their own.
This plot specifically compares the destruction of Britannia and the island of Skara Brae flying off into space with the Roger Dean paintings from the album Yessongs.
Development[edit | edit source]
There have been at least four distinct versions of Ultima IX in development, which have differed in both storyline elements and technological implementation.
The first version was as it was conceived of by Ultima creator Richard Garriott during his initial planning for the third Ultima trilogy as Origin began to work on Ultima VII. The original concept for the third Ultima trilogy appeared to have focused on the Avatar's conflict with the enigmatic Guardian, each game taking place in a different world: Ultima VII in Britannia, Ultima VIII in the conquered world of Pagan, and Ultima IX in the Guardian's home world itself.
The second version was developed between 1995-1997. In 1994, the feedback that Origin had received had altered its plans for Ultima IX and had caused it to re-consider the direction it was taking. In a text file included with the final patch (v2.12) for Ultima VIII, called "fans.txt", it is stated that "The design of Ultima IX (which is still in progress) relies heavily on this feedback and has resulted in a dramatic turnaround back toward classic role playing. Even better, it has resulted in a classic Britannian Ultima". At this point, the gameplay of Ultima IX would have been re-located to Britannia, and a new storyline would have to be written to incorporate this change.
By late 1995 or early 1996, the first screenshots of Ultima IX appeared in gaming magazines and Origin started to reveal some information about the plot and gameplay aspects of the game. These previews of the game demonstrated the software-rendered 3D engine that now powered Ultima IX. The camera appeared locked into an overhead view that approximated the isometric point of view of Ultima VIII, but could be rotated about its vertical axis and zoomed in or out. Images of the pre-rendered cinematics also began to appear at this time. Some of these images showed the Avatar in a rocky, barren landscape with a red sky and it was at this time that it was first stated that the Avatar had actually arrived in Britannia at the end of Ultima VIII and that the Guardian had now conquered this world.
With the unexpected success of the beta phase of Ultima Online, Origin moved most of the Ultima IX team to work on that game in late 1996. By the time work was resumed on Ultima IX in late 1997,, corporate interest in Ultima IX had greatly diminished, many of the original team members had left Origin, and the 3D engine was already becoming out of date. Ultima IX had a technically impressive game engine, but it was completely software-rendered and would not be able to compete with newer engines taking advantage of 3D hardware acceleration.
Once Ultima IX had resumed production in late 1997, Origin hired Ed del Castillo, who had produced such hits as Command & Conquer, as producer of the title. The third version of the game was developed between 1997 and 1998. The Ultima IX team experimented with different camera angles in the now hardware-accelerated 3D engine and decided that a third-person over-the-shoulder perspective, similar to that used in Tomb Raider, made for a more immersive gaming experience.
Over the next few months, it was revealed that the game would no longer have a party of companions for the Avatar and would once again be a single-character game. The amount of art and voice recording work required meant that there would not be a female Avatar option. The plot had changed as well. Many aspects of the previous plot still seemed to be present, but Britannia appeared to be a world much more firmly under the Guardian's grasp. The player would control the Avatar throughout most of the game, but some parts of the game would put him in control of Lord British, Shamino, or the female pirate Raven.
In early 1998, several designers of the game, including lead designer Bob White, left Origin. By the middle of 1998, del Castillo resigned due to "philosophical differences", Richard Garriott took a more active role in the production of the game, and Seth Mendelsohn joined the team as lead designer. They re-wrote the entire story for the game, now focusing on the Avatar's final visit to Britannia, and the reaction of the people of Britannia to this news. Some elements of the previous storyline were kept, presumably to make use of the existing (and expensive) pre-rendered cinematics, but most of them were either heavily edited or used in a dramatically different context than originally intended, and sometimes both.
The game's release was initially complicated by a rather buggy first issue, with very advanced hardware requirements for the time; the design team had objected strongly to the timing of release, but the Electronic Arts management enforced it. A few months later, a fixed version was released; a further unofficial fix was leaked on the internet a bit later by an anonymous member of the team.
Reception[edit | edit source]
At the time of its release, many fans felt the game was unfinished and not as polished as the earlier Ultimas were. One of the chief criticisms of Ultima IX was that the story did not do justice to the continuity of earlier parts of the series. The game's plot has many inconsistencies that fans of the series have refused to accept into the Ultima canon. The game was said to be made to attract a more general gamer audience with little or no knowledge of previous Ultimas, so many facts and events from earlier games are disregarded, while others are altered to suit the plot of Ultima IX. Some fans have found a considerable number of "errors" in the game.
With the previous Ultima VIII considered to be a failure with weak sales, the poor reception of Ultima IX effectively killed the Ultima franchise; all other Ultima projects were canceled and no other Ultima was ever released, save for infrequent expansion packs for Ultima Online. Electronic Arts explained that they were concentrating everything on Ultima Online 2; however, that, too, was canceled, although the original Ultima Online remained active. Richard Garriott left Origin shortly afterward, and parent company EA Games soon shut the studio down.
Versions and releases[edit | edit source]
At the time of initial release, EA also produced a "Dragon Edition" of the game. It included an extra-large box, prints of in-game artwork, tarot cards, an ankh pendant, and special versions of the game books. Later, a "World Edition" was released containing copies of both Ultima IX: Ascension and Ultima Online: The Second Age.
[edit | edit source]
- Ultima IX: Ascension at MobyGames
- Nitpick list for Ultima IX: Ascension
- Original Ultima IX, with history of Ultima IX before its release, screenshots from the in-progress versions, the Bob White plot text, and the remnants of the original game discovered in the released game. The original Usenet posting of the Bob White plot is here